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French Baroque
Italian Baroque
Spanish Baroque
Low Lands Baroque

Modern Art (starting around 1750)

 

 

Rococo

(Part 2)
Other Countries


1700 to 1750

 

The Rococo is a name for the dominent style of a European art in first half of the eighteenth century. It is a period in which the French began to dominate art which lasted until the start of World War I. There is some argument that their dominenance ended there, and in some sense the French still dominate the art world.

 

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Germany and Austria

 

Johann Fischer von Erlach

born: Graz, Austria; 1656
died: Vienna, Austria; 1723

Architect. Major work: Karlskirche in Vienna.

 

Balthasar Neumann Dominikus Zimmermann

born: 1685
died: 1766

Architect. Major work: Wies Pilgrimage Church, near Munich, Germany.

 

Elias Haussmann

born: Germany?; about 171x
died:

Haussmann: Johann Sebastian Bach

Johann Sebastian Bach
[portrait done poshumously, Bach died in 1750]
1764
Oil on Canvas, 78×63 cm
Museum der Bildenden Künste
Leipzig, Germany

 

 

Johann Georg Zieseniss

born: Germany?; about 172x
died:

 

 

Zieseniss: Frederick II of Prussia

Frederick II of Prussia
1753
Oil on Canvas
Staaliche Schlösser and Gärten
Berlin, Germany

 

 


Mengs: Self 1773  Anton Raphael Mengs
Anton Raffael Mengs

born: Aussig, Bohemia [now Ústí nad Labem, Czech Republic]; 22 March 1728
died: Rome, Papal States [Italy]; 29 June 1779

 

The self-portrait above was painted about 1775 and can be found in the Hermitage in St Petersberg, Russia.

Mengs was widely regarded in his day as Europe's greatest living painter. Not only because he was a good painter but also because he had a widely respected art critic, Johann Joachim Winckelmann (see below), as his champion. Winkelmann and Mengs espoused the concept of reform of Baroque art by looking back to the Classic era of Greek and Rome for inspiration.

Mengs bread and butter was portrature of royalty. Little neo-classic restraint shows in either his portrature or religious painting.

Mengs reputation suffered a decline in the 19th and 20th centuries. However it is probably time for a reassessement of his art.

 

Mengs: [drawing] Farnese Hercules

Drawing of the
Farnese Hercules

about 1740-44
Graphische Sammlung Albertina
Vienna, Austria

Mengs: Augustus and Cleopatra
about 1745

Augustus and
Cleopatra
about 1745
State Art Museum
Copenhagen, Sweden

Mengs: Giuseppe (or Pietro) da Viterbo

Giuseppe
(or Pietro)
da Viterbo

1754
Gemäldegalerie Alte Meister
Munich, Germany

Mengs: Johann Joachim Winckelmann

Johann Joachim Winckelmann
about 1765
oil on canvas
Metropolitan Museum of Art
New York, NY, US

Mengs: Maria Amalia of Saxony
Queen of Spain

Maria Amalia of Saxony
Queen of Spain
about 1765
oil on canvas; 48×38 cm?
Prado, Madrid, Spain

Mengs: Maria Luisa of Parma

Maria Luisa
of Parma
1765
oil on canvas; 48×38 cm?
Prado, Madrid, Spain

Mengs: Charles IV,
Prince of Spain

Charles IV,
Prince of Spain

about 1761
oil on canvas
Prado, Madrid, Spain

 

Mengs: St John the Baptist

St John the Baptist
about 1774
oil on canvas; 208×153 cm
Hermitage
St. Petersburg, Russia.

Mengs: Imaculate Conception

Immaculate
Conception
about 1775
oil on wood; 66×90 cm
Louvre, Paris, France

 

 

Italy

 

 

Giovanni Domenico Ferretti

born: Italy; 1692
died: 1747

 

Ferretti: The Rape of Europe

The Rape of Europa
1720-40
Uffizi, Florence

 

 


Giovanni Battista Tiepolo

born: Venice, Italy; 1696
died: Madrid, Spain; 1770

 

Tiepolo: Susanna and the Elders

Susanna and the Elders

 

 

Seven more Tiepolo pictures

 

 

Giovanni Antonio Canal
Canaletto

born: Venice, Republic of Venice [now Italy]; 18 October 1697
died: Venice, Republic of Venice [now Italy]; 20 April 1768

Canaletto: Reception of the Frence Ambassador at the Dukal Palace

Reception of the
Frence Ambassador
at the Dukal Palace
1727
oil on canvas 181×259 cm
Oil on Canvas,
Hermitage
St Petersburg, Russia

Canaletto: Pier as seen from
the Basin of St. Marks

Pier as seen from
the Basin of St. Marks
about 1730 - 1735
oil on canvas, 53× 71 cm
Pinacoteca di Brera
Milan, Italy

Canaletto: Regatta on the Grand Canal

Regatta on
the Grand Canal

about 1750
oil on canvas, 85×135 cm
Fine Arts Gallery
San Diego, CA, US

 

 

 

Corrado Giaquinto

born: 1703
died: 1765

Giaquinto: Justice and Peace

Justice and Peace
1760

Giaquinto: Saints in Paradise

Saints in Paradise
1755

 

Francesco Guardi

born: Italy; 1712
died: 1793

Guardi: The Bucentaur Departs for the Lido on Ascension Day 1766

The Bucentaur Departs
for the Lido
on Ascension Day
1766-70
oil on canvas, 67×100 cm
Louvre, Paris, France

Guardi: The Doge in the Bucentaur at San Nicolo di Lido on Ascension Day 1766

The Doge in the Bucentaur
at San Nicolo di Lido
on Ascension Day
1766-70

Guardi: The Doge ov Venice goes to the Salute on 21 November to Commemorate the end of the Plague of 1630

The Doge of Venice goes to
the Salute on 21 November to
Commemorate the
End of the Plague of 1630
1766-70
Louvre, Paris

Guardi: View of the Venetian Lagoon with the Tower of Malghera

View on the Venetian Lagoon
with the Tower of Malghera
about 1775-1780
oil on canvas, 52×32 cm
The Hermitage
St Petersburg, Russia

Guardi: The Dode in the Sala del Collegio

The Doge in the Sala del Collegio
about 1772
oil on canvas, 67×101 cm
Louvre, Paris, France

 

 


Giovanni Battista Piranesi

born: Italy; 1720
died: 1778

 

Piranesi: Carceri -- The Drawbridge
The Drawbridge
Carceri
Plate VII of Second Edition

Piranesi: Carceri -- The Round Tower
The Round Tower
Carceri
Plate III of Second Edition

Piranesi: Carceri -- Title Plate 
Title Plate
Carceri
Plate I of Second Edition

Piranesi: Carceri -- The Well 
The Well
Carceri
Plate XIII of Second Edition

 

Spain

 


Meléndez: Self  Luis Egidio Meléndez
Menéndez

born: Naples, Spanish Empire [now Italy]; 1716
died: Madrid, Spain; 1780

He was trained by his father and L. M. van Loo in Spain. He was van Loo's assistant 1742-48.

There were 45 Melendez still life pictures displayed in the Spanish royal palace in Aranjuez; only one of these has gone missing, the remaining 44 are distributed in art musuems throughout the world and in major private collections.

There are two known self-portraits, one in Paris at the Louvre the other in Madrid at the Prado (not shown below).

 

Meléndez: The Afternoon Meal

The Afternoon Meal
(La Merienda)

about 176x
oil on canvas; 105× 154 cm
Metropolitan Museum
New York, NY, US

Meléndez: Cucumbers and Tomatoes

Cucumbers and Tomatoes
1772
oil on canvas
Prado, Madrid, Spain

Meléndez: Melon and Pears

Melon and Pears
about 1770
oil on canvas
Museum of Fine Arts
Boston, MA, US

Meléndez: Pigeons, Onions, Bread
and Kitchen Utensils

Pigeons, Onions, Bread
and Kitchen Utensils

1772
oiil on canvas
Wadsworth Atheneum
Hartford, CT, US

Meléndez: Box of Sweets
and Bread Twists

Box of Sweets
and Bread Twists
1770
oil on canvas
Prado, Madrid, Spain

Meléndez: Oranges and Walnuts

Oranges and Walnuts
1772
oil on canvas; 61×81 cm
National Gallery
London, England

Meléndez: Figs and Bread

Figs and Bread
about 1775
oil on canvas; 37×47 cm
Louvre, Paris, France

Meléndez: Self

Self-Portrait
1746
Oil on canvas; 10×8 cm
Louvre, Paris, France

 

 

 

Back to Part I: the French Rococo

 

French Baroque
Italian Baroque
Spanish Baroque
Low Lands Baroque

Modern Art (starting around 1750)

Select destination by clicking on word.
2005-01-05