Gothic Art

 

 

  


Early Christian Art
Byzantine Art

Romanesque Art
Medieval Art

 

Gothic Art

Introduction

Gothic is the name given by scholars to the art of the Late Middle Ages in Northern Europe. In architecture the flying buttress type cathedrals were first built where the structual strains of the arches are transmitted outside the building allowing large open vaulted interiors without pillars in the building.

There is gallery devoted to the Gothic Cathedral, visit it to see more.

 

Fourteenth Century (1301-1400 )

annon 14C: Mosaic of the Crucifixion from St Marks Venice

Mosaic of the Crucifixion
14th C
St. Marks, Venice

annon 14C: Pope Sextus II

Pope Sixtus II
14th C.

annon 14C: St Vincent

St. Vincent
14th C.

 

Daddi: Annunciation

[Daddi:] Annunciation
14th C.

Paolo: Pala de Oro

[Paolo:] Pala de Oro

 

 

Duccio

born: Siena, Republic of Siena [now Italy]; about 1260
died: Siena [now Italy]; c. 1318

Duccio is considered of the greatest Italian painters of the Middle Ages and the founder of the Sienese school.

duccio: Crown of Thorns

Crown of Thorns
about 1310
Museo dell'Opera del Duomo,
Siena, Italy

Duccio: Last Supper

Last Supper
about 1350

Museo dell'Opera del Duomo,
Siena, Italy

Duccio: Madonna and Child

Madonna and Child
about 1380
Pinacoteca Nazionale,
Siena, Italy

Duccio: Madonna Enthroned with Angels and Saints

Maestà (front panel)
about 1310
Cathedral Museum
Siena Cathedral
Siena, Italy

 

Other Works:

 


Giotto di Bondone

born: Vespignano, near Florence [Italy]; 1266–67 or maybe 1276,
died: Florence: Jan. 8, 1337

Giotto was the most important Italian painter of the 14th century, whose works point to the innovations of the Renaissance style that developed a century later. For almost seven centuries Giotto has been revered as the father of European painting and the first of the great Italianmasters. He is believed to have been a pupil of the Florentine painter Cimabue and to have decorated chapels in Assisi, Rome, Padua, Florence, and Naples with frescoes and panel paintings in tempera. Because little of his life and few of his works are documented, attributions and a stylistic chronology of his paintings remain problematic and often highly speculative.

 Giotto: Christ's Ascension

Christ's Ascension

Giotto: St. Francis Cast out the Devils

St. Francis Casts
out the Devils

Giotto: [unknown]

Homage of
a Simple Man
1304-1306
Fresco in
Capella degli Scrovegni
Padua, Italy

Giotto: Joseph's Dream

Joachim’s Dream

Giotto: Joseph's Dream [detail]

detail

Giotto: Presentation at the Temple

Presentation at the Temple

Giotto: [unknown 2]

Detail from
an Unknown Fresco

 Giotto: St. Francis Uccelli 1

St. Francis
Preaching to the Birds
about 1290
Fresco in Church of San Francesco
Assisi, Italy

Giotto: Presentation at the Temple v2

Presentation at the Templec.
1303-1306
Fresco in The Capella dell’Arena,
Padua, Italy

Giotto: Incostanza

Incostanza

 

 

Fifteenth Century (1401 - 1500)

 

Gentile Da Fabriano

Niccolo Di Giovanni Di Massio

born: Fabriano, Papal States [Italy]; c. 1370,
died: Rome [Italy]; 1427

Fabriano was the foremost painter of central Italy at the beginning of the 15th century. His few surviving works are great examples of the International Gothic style.

It is possible he was trained in the Lombard school. In 1409 Gentile was commissioned to decorate the Doges' Palace in Venice with historical frescoes, which were later completed by Il Pisanello. In 1414–19 Gentile was in Brescia working for Pandolfo III Malatesta. His final important cycle of frescoes was begun in Rome in the Church of St. John Lateran shortly before his death. As with the frescoes in Venice, they were completed by Il Pisanello.

 

Fabrianno: Four Saints

Four Saints
1425

Fabrianno: Presentation in the Temple

Presentation in the Temple
1423  

 

 

 

Other Artists

 

Master of the Playing Cards: St. Sebistian

[Master of the
Playing Cards:]
St. Sebistian

c1450

anon 15C: Unicorn from Livre des Mereveilles

Unicorn
from
Livre des Mereveilles

1500

annon 15C: Unicorn

Unicorn
15th C.

 

 


Limburg Brothers

or Limbourg. The brothers are Pol, Herman, and Jehanequin de

born:Nijmegen, Brabant [Netherlands]; after1385
died: all by 1416

Three Flemish brothers who were the most famous of all late Gothic illuminators. They used a style characterized by painstaking technique and minute rendering. The sons of a sculptor, Arnold van Limburg, they were also the nephews of Jean Malouel, court painter to the Duke of Burgundy. The brothers worked together.

Some time after duke of Burgundy's death in 1404, they entered the service of his brother, the Duke de Berry. For him that their most lavishly illustrated books of hours (the popular form of private prayer book of the period) were produced. The Belles Heures (or Les Heures d'Ailly) is now in The Cloisters, New York) The Très Riches Heures du duc de Berry (Musée Condé, Chantilly, Fr.), is considered their greatest work and one of the landmarks in book illumination, see examples below. The Très Riches Heures was left unfinished in 1416 but was completed about 1485 by Jean Colombe.

The Limburg brothers were among the first to successfully render specific landscape scenes. They had a great influence on low land's art during the 15th century.

 

Duke of Berry: The Book of the Hours:

 

Limbourg bros: Berry Book of Hours -- Folio 1 Verso

Folio 1 Verso

Limbourg bros: Berry Book of Hours -- Folio 1 Verso detail

detail

Limbourg bros: Berry Book of Hours -- Folio 2 Recto detail

detail 1

Limbourg bros: Berry Book of Hours -- Folio 2 Recto detao;

detail 2

Limbourg bros: Berry Book of Hours -- Folio 2 Recto

Folio 2 Recto

Limbourg bros: Berry Book of Hours -- April

April

Limbourg bros: Berry Book of Hours -- February

February

 

Limbourg bros: Berry Book of Hours -- Hell

Hell

 


Early Christian Art
Byzantine Art

Romanesque Art
Medieval Art

2004-12-11